Full Run Thru - lunch rehearsal

Steps need to come out quicker.
4 black boxes - make sure you know where your item is.
Chair stage R is too far down stage
Chair stage L is too far up stage
1 minute set up without accessories...we need to speed it up!
Act 1
Really listen to eachother
Jessi good volume
Curtis - check that entrance! You can't be late (Jessi nice cover)
JD - when you say "Hey" to Aunt Clara...don't look upstage
Cheat out!
Doughnuts...to the audience
Caitlyn - great job cheating your face toward the audience
Josie louder
Nicole - what are the plans for everyone's hair? Have you thought about that?
Cross your legs at the ankle
Keep volume up.
CE - it's my duty - really use the hand gesture
The exit for Ed, Alice, and Clara...is a little awkward - sleeping porch - Clara hold back and when Ken comes in...leave like you are trying to leave them alone to chat
LOUD!
April - when Tim comes in turn downstage...so we can see your face
Tim - better but MORE excitement and really listen - Illusion of the 1st time is HUGE!
Alice when Ed says if you come near him you will scream, react...does it hurt your feelings?
JD when you are surprised by Clara...she startles you not terrifies you
Tim - relax...you got this. You need to look comfortable...think teenage boy...silly, over the top
Use downstage hand to point
JD - you will have a doughnut - cheat out
Jeepers Monica Marshall - Jessi stay on the stairs
The obstruction line...JD - don't look side to side...just kind of get caught up in the moment and move DC
Clara - cross at ankles
Believability is key! Check those lines.
CC - love the "it was something like that" about the exaggeration line
April - don't cover your mouth - die of a crick
JD - thanks for making the change on the cross after Jean comes in. Good job!
React to soon as she takes her bath -
CC - check the line about the bathroom at the Haydens
Better on the reaction to Helen entrance
CE - yeah! You are doing a great job playing to the audience
Please check entrances!
JD - slow down the Helen jeepers where's the masquerade
JD - I think the wig is making your head move more...every moments should have a purpose
Yawn Helen...like you are bored and too good to be wasting your time with Ken
Curtis - you will NOT have gloves in the show...so choose something different to do for stage business.
April - remember your age...so the shuffle step...aww shucks doesn't work.
Much better on Tim and Jean discovering the SCOOP. :)
ES - great on the frustration of keeping the secret
Keep going - Check LINES.
JD - I can't see your eyes but when MM starts going off on all the things you need....your eyes need to say...WHAT?
Toast our engagement - Jean...your eyes need to say...I GOT IT!
Blasted thing...good on Ed leading out...Alice look back thankful for your "set up"
Couch talk...LOUDER!
Grant know your cue...this will be a recorded cue. You guys will have to hit it.
ES - the daddy line is so weird...ask me about it.
ES - stage whisper needs to stay loud enough to hear
Sam - cheat out and confident.
Sam - better on the cross...really confident! The whole time and cheat out.
Act 3 -
Merete - cheat out and louder...we want to see your pretty face!
remember no scripts for Act 3 tomorrow
April LOUDER
Jessi - nice on the what a scoop, help our neighbors
Everyone needs to counter so that we aren't all on the same end of the stage...it looks strange
Guys...these lines are due tomorrow...you should know what is coming next.
BTA - Merete - cheat out. No back to the audience
Everyone needs to see the TV...React!
JD - I'm famous...oh no. I need to see the quick change reaction. Do you leave after that?
Sam - cheat out.
Jessi and Tim should be up towards the stairs...like you are trying to get away from the trouble.
Don't rush. April - the NO IDEA...face the audience.
Aren't you guys (Clara and Higbee supposed to be together at center...dancing?)
Andrew...you can't hold up on the Partner line. or look at the judges...it totally breaks character.
51:40


April...where were you?